My Best Friend's Exorcism by Grady Hendrix
My rating: 4 of 5 stars
Like a teenager suddenly and unexpectedly possessed by an ancient demon, I was not prepared for Grady Hendrix's My Best Friend's Exorcism. While Hendrix continuously crafts my favorite kind of horror (hilarious and haunting in weighted measure), he tends to lose his path towards the end of each novel. In fact, I once described Grady Hendrix as "the Stephen King of modern horror... but not in a good way." My biggest complaint with Hendrix is that, like King, he creates brilliantly creative premises, but fails to live up to the promise of such clever conceits. With My Best Friend's Exorcism, however, Hendrix has crafted a heartfelt horror novel and actually managed to "stick the landing." Imagine Linda Blair doing a Simone Biles routine as choregraphed by James Wan, and that just about sums up My Best Friend's Exorcism.
Like William Peter Blatty's The Exorcist, Hendrix's novel depicts the untimely and horrific possession of a young girl - with all the trimmings and trappings of stereotypical supernatural scripts. Over the course of My Best Friend's Exorcism, best friends Abby and Gretchen grow up from E.T.-loving little girls to substance-abusing adolescents; along the way, the two girls form close relationships with a couple of classmates (Margaret and Glee) and partake in the usual soaking-up-the-sun activities of typical teenagers. That all changes one night, however, when the acid-addled girls go skinny-dipping and Gretchen mysteriously disappears into the woods. When she reappears, she's... different. After a slowly emerging sense of horror starts to overtake Gretchen (first with invisible pricking of her skin and ultimately transforming into something much more overwhelming), it gets dark. Really dark. Chaos ensues, friendships unravel, and the seemingly unbreakable bond between Gretchen and Abby is driven to a breaking point. Cue the titular exorcism and watch how the story unfolds.
As would be expected, there are the usual, predictable elements of exorcism stories: demonic entities, unsightly transformations of the possessed, voracious vomiting, a plethora of profanity, and fantastical familiars of the woodland variety. However, Hendrix deviates from expectations with some unforeseen alterations: iron-pumping exorcists, high school hierarchies, horrifying eating disorders, and a poppy 1980s soundtrack. This novel also shares DNA (and a South Carolina setting) with The Southern Book Club's Guide to Slaying Vampires, though the two books offer decidedly different takes on surviving the supernatural. The juxtaposition, while jarring, provides just enough levity to lighten the horrifying levitation of high school girls.
It's clear that Hendrix loves his old-school horror: between his many novels, he's tackled demons, devils, vampires, serial killers, haunted houses, and various other macabre monster mashups. But he also has a soft spot for vintage "sisterhood cinema" (or "chick flicks" to the cynical), drawing upon films as diverse as Steel Magnolias, Mean Girls, and Beaches. No one can accuse Hendrix of unabashed, malevolent misogyny - especially considering that every single one of his novels is written from the perspective of a female protagonist. In that regard, My Best Friend's Exorcism is very much in line with Hendrix's attempts at creating empowered female characters. With this novel, Hendrix balances a respectful reverence with more subversive sendups of the horror genre. Nothing is sacred to Hendrix - nor is anything profane enough to remain off-limits. That includes all the terrifying tropes of horror, as well as the timeless binds of sentimental sororities.
I have to admit, I actually dragged my feet reading this novel, working my way through the rest of Hendrix's oeuvre before finally tackling My Best Friend's Exorcism. Boy, did I make a mistake. The talented and insightful Claire Laminen once told me that MBFE was her favorite Hendrix novel, and I wish I had taken her sage advice sooner. Though I've consumed Hendrix's books like Goya's "Saturn Devouring His Son," thoroughly enjoying the goofy twists and turns of his comedic horror, I did NOT anticipate the emotional connections forged between the two main protagonists of the novel, Abby and Gretchen. Unlike Kris Pulaski's solo journey in We Sold Our Souls or Lynnette Tarkington's withdrawn isolation in The Final Girl Support Group, Abby and Gretchen have a tightknit bond that's as unbreakable as Marley's chains. Between the violent and disturbing supernatural descriptions, Hendrix manages to weave in some truly heartfelt relationships, examining a sisterhood between Abby and Gretchen that's even more powerful than Satan's minions. And THAT makes My Best Friend's Exorcism a truly unique, worthwhile read.
View all my reviews